《【彩票网址送彩金大全】欢迎访问》Our boat stole slowly past the palaces, where there were no lights, through the haze rising from the river, and all things assumed a dissolving appearance as though they were about to vanish; all was shrouded and dim with mystery.
Asses followed, oxen and more camels, loaded beyond their strength with old iron, tin pannikins, a whole cargo of goods in cases from Manchester and Sheffield—so badly packed that things came clattering down as the beasts pushed each other amid oaths and blows.
[Pg 245]At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the ground—a white mass[Pg 142] dimly lighted by a few lanterns—and sang to the music a soft, monotonous chant.
At the bottom of a wide flight of steps flows the Ganges, translucent, deeply green, spangled with gold. The bathers, holding the little brass pots that they use for their ablutions, are performing the rites, surrounded by large yellow fishes spotted with green. Pink and white stuffs are spread to dry on the steps, flowers are scattered on the stream, long wreaths are floating down the river, curling and uncurling at the caprice of the current.
In the middle of the town, which consists entirely of small houses carved from top to bottom, are two massive towers, joined by the remains of the thick wall that formerly enclosed the immensity of the sultan's palace and its outbuildings. The towers now serve as prisons; the stone lattice which screened the private rooms has been replaced by iron bars, the last traces of ornamentation covered up with fresh plaster. Behind the wall the ancient garden, kept green of old by legions of gardeners, is a mere desert of dust; a mausoleum in the middle, transformed into a court of justice, displays all the perfection of Indian art in two pointed windows carved and pierced in imitation of twining and interlaced branches; marvels of delicacy and grace left intact through centuries of vandalism.
We stopped at a bungalow by a creek of the Jellum that was paved with broad lotus-leaves, among which the buds were already opening their pink hearts.
The priests slowly mounted the stairs, the music died away in echoes more and more confused, ceasing at last, while the sacred animal, going off to the right at the foot of the steps, disappeared into its stable.
There was not a living thing in the silence and overheated air—not a bird, not a fly; and beyond the houses lay the plain once more, a monotonous stretch of dead whiteness, the unspeakable desolation of murderous nature, henceforth for ever barren.
In the atmosphere floated a pale blue smoke, rising from a heap of weeds that some children were burning, a weird sort of incense, acrid and aromatic, fading against the too-blue sky.
In the native town the houses are lower and closer together, without gardens between. Down the narrow streets, between booths and shops, with here and there a white mosque where gay-coloured figures are worshipping, or polychrome temples where bonzes are drumming on deafening gongs, run tramways, teams of oxen, whose drivers shriek and shout, and hackney cabs, jingling and rattling. Among the vehicles there moves a compact crowd of every race and every colour: tall Afghans, in dingy white garments, leading Persian horses by the bridle for sale, and crying out the price; bustling Parsees; naked Somalis, their heads shaven and their[Pg 7] oiled black skins reeking of a sickening mixture of lotus and pepper; fakirs, with wild, unkempt hair, their faces and bodies bedaubed with saffron and the thread of the "second birth" across their bare breast; Burmese, with yellow skins and long eyes, dressed in silks of the brightest pink; Mongolians, in dark-hued satin tunics embroidered with showy colours and gold thread.Institute of Plasma Physics, Hefei Institutes of Physical Science (ASIPP, HFIPS) undertakes the procurement package of superconducting conductors, correction coil, superconducting feeder, power supply and diagnosis, accounting for nearly 80% of China's ITER procurement package.
"I am so proud of our team and it’s a great pleasure for me working here," said BAO Liman, an engineer from ASIPP, HFIPS, who was invited to sit near Chinese National flay on the podium at the kick-off ceremony to represent Chinese team. BAO, with some 30 ASIPP engineers, has been working in ITER Tokamak department for more than ten years. Due to the suspended international traveling by COVID-19, most of the Chinese people who are engaged in ITER construction celebrated this important moment at home through live broadcasting.
One of ASIPP’s undertakes, the number 6 poloidal field superconducting coil (or PF6 coil) , the heaviest superconducting coil in the world, was completed last year, and arrived at ITER site this June. PF6 timely manufacturing and delivery made a solid foundation for ITER sub-assembly, it will be installed at the bottom of the ITER cryostat.
Last year, a China-France Consortium in which ASIPP takes a part has won the bid of the first ITER Tokamak Assembly task, TAC-1, a core and important part of the ITER Tokamak assembly.
Exactly as Bernard BIGOT, Director-General of ITER Organization, commented at a press conference after the ceremony, Chinese team was highly regarded for what they have done to ITER project with excellent completion of procurement package.
The kick-off ceremony for ITER assembly (Image by Pierre Genevier-Tarel-ITER Organization)
the number 6 poloidal field superconducting coil (Image by ASIPP, HFIPS)
ITER-TAC1 Contract Signing Ceremony (Image by ASIPP, HFIPS)
52 Sanlihe Rd., Beijing,
Copyright © 2002 - Chinese Academy of Sciences